welcome to the human brain

When you are starting a new job in less than a week, you’re dealing with at least two lists. There’s the long errand and shopping and chore-focused to-do list (get dress tailored, do laundry, buy black boots, sew buttons on cardigan…), and then there’s the more abstract list of things that would be fun or smart or healthy for you to do while you have the time, so you can at least tell yourself that you took advantage of the last few days of this period that gets dramatically and not entirely accurately referred to as “freedom.” If you live in New York, topping the list of things you always want and mean to do, but rarely manage is: Go to a museum. Miraculously, Alice had free passes to the Museum of Natural History. Even better, she was willing to play hooky from work to go with me.

In the special exhibit about the brain, I learned that if neurons were marbles, each of us would have enough to fill the New York Public Library. Some of the text in the exhibit was hilariously matter-of-fact, like, “Just when you’re trying your best to be reasonable, your emotions can lead you astray.” There was also this: “By the time you reach your twenties, your brain is functioning at its peak. After that, little by little, the number of neural connections declines.” We played games designed to test your memory and reaction time and various other things we all hope to be good at: trying to trace a shape while looking in a mirror, reading names of colors printed in other colors, attempting to learn the Braille alphabet in a couple of minutes. Then we went to the museum café and each had an $11 panini.

Since it was snowing and a weekday, there was hardly anyone in the butterfly conservatory, so we got to walk around in the humid little tank for as long as we wanted, pointing and exclaiming at the butterflies flying around (The giant shiny blue one! The lacy orange and white one! The one with transparent wings!) and getting a little delirious from the sudden heat. Being in that place is perfect therapy for wintertime; it makes you giddy and melt-y and prone to hugging your friend and telling her how happy you are to be right there with her.

Later, we listened to Whoopi Goldberg narrate a “journey” into space. We watched a strange IMAX movie about aquatic dinosaurs. We went up to the fourth floor and walked through room after room (or “hall” after “hall”) of those dinosaurs and their relatives, skeletons and reconstructions and missing pieces. We went to the Hall of Ocean Life and looked up at the giant whale and at the dioramas that are my favorite, favorite thing—so carefully staged and gently glowing—and then traipsed through the North American Forests and New York State Environment sections, clearly the least loved and restored parts of the museum, with their dated signage and general quaintness, on our way to the hall of minerals and gems, where we wanted to go because we are girls and we like sparkly things. Or really, because I used to be obsessed with rocks.

I used to be obsessed with lots of the things the museum is preoccupied with, which is maybe why I have more affection for it than I do for the Met. The Natural History Museum feels more personal, making me think about how fiercely I used to love dinosaurs—how all kids love dinosaurs, and always will, and how mind-bendingly cool they are to people of all ages, whether or not they want to admit it (the array of dino-themed merch in the giftshop testifies to this, and while I’m on board with a dinosaur-shaped ladle and an ice-cube tray that makes ice in the shape of dinosaur bones, I could do without the pink kiddie t-shirt emblazoned with a sparkly dinosaur and the words “Prehistoric Princess”). All these dinosaurs remind me that, at one early point, I vaguely wanted to be a paleontologist (who didn’t?). The oddly straightforward and therefore semi-uncomfortable histories of various peoples remind me that I wanted to be an archaeologist. The meteors and big hunks of crazily colored rock remind me that for a little while, I really, really wanted to be a geologist. Or an environmentalist or some kind, testing rain with little ph strips to find out its acid content. Or some other profession that involved catching salamanders and subjecting them to a series of random, gentle tests. The trappings of science have always been a real stimulant for me, probably more than art, even though art is technically where my loyalties lie. Science sucks me in with its taxonomies and patient explanations (even if I don’t understand them; Whoopi’s narration in the planetarium was enthusiastic, but it didn’t make it any easier to process the idea of space or dark matter or how a star is born), its objects lined up and labeled behind glass.

My various science-y aspirations pretty much ended when I got to middle school and realized I couldn’t wrap my brain around carbon dating or isotopes or even fractions. It’s a little sad, mostly in retrospect, and mostly because it lines up so neatly and misleadingly with the abilities girls are and aren’t supposed to be confident about at that age. It’s depressing to think about how I much I used to love experiments, until I had to do them in a classroom with an accompanying worksheet or lab report, and grades. But I don’t think I was ever really going to be a scientist. The way I love all this stuff now is the same way I loved it as a kid, based on emotions and aesthetics. I’m romanced by it in a way that doesn’t require real understanding or expertise, and in some ways depends on the lack of exactly those things. It’s enough for me to look at everything laid out so carefully, the volume and detail of it overwhelming, and to let myself be amazed by big things like time and extinction, and little things like the birds painted into the background of a diorama, and the way stars looked on the curved ceiling of the planetarium. There’s the memory of a field trip here to see “Dinosaurs Alive” when I was in second grade, two Rainforest Alliance galas held in the shadow of the giant whale, tumbled rocks in the gift shop that my fingers are still drawn to. And now this quiet, perfect, snowy day in a museum with a good friend, right before things change again.

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    After inputting my measurements and preferences?‚???? I dove headfirst into the exciting world of layout experimentation. KitchenCraft Pro offered a plethora of options?‚???? from the classic galley style to the more spacious L-shape and U-shape designs. I started by exploring the galley layout?‚???? digitally dragging and dropping cabinets and appliances to visualize the workflow. I quickly realized it wouldn’t suit my needs ?‚???? the limited counter space was a major drawback. Next?‚???? I experimented with an L-shape configuration?‚???? strategically placing the sink?‚???? stove?‚???? and refrigerator to form an efficient work triangle. This felt more promising. I meticulously adjusted the placement of islands and peninsulas?‚???? carefully considering their impact on traffic flow and overall spaciousness. The software’s intuitive drag-and-drop functionality made this process remarkably easy and enjoyable. I even tried a daring U-shaped design?‚???? envisioning a grand?‚???? chef-like workspace. While initially appealing?‚???? I found it slightly cramped for my needs. The software allowed me to easily switch between different layouts?‚???? instantly visualizing the impact of each change. I spent hours tweaking the arrangement of cabinets?‚???? appliances?‚???? and workspaces?‚???? constantly evaluating the practicality and aesthetic appeal of each configuration; I played around with different cabinet depths and widths?‚???? experimenting with the placement of pantry units and maximizing storage space. I even considered adding a breakfast bar to one of the layouts?‚???? envisioning family gatherings around it. The ability to instantly see the results of my adjustments was invaluable?‚???? allowing me to make informed decisions based on both functionality and personal preference. It was a truly iterative process?‚???? refining and perfecting the design until I found the perfect balance between form and function. Through this experimentation?‚???? I discovered that the L-shape layout?‚???? with a cleverly positioned island?‚???? provided the optimal blend of efficiency and spaciousness for my kitchen.
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    I embarked on a thrilling kitchen redesign?‚???? leveraging free online tools. My goal? A stunning?‚???? functional space without breaking the bank. I spent hours exploring various platforms?‚???? comparing features and ease of use. The process felt surprisingly intuitive. I was amazed by how quickly I could visualize different layouts and experiment with various appliances and cabinetry. It was a fun and empowering experience?‚???? proving that achieving a dream kitchen doesn’t require a hefty budget!
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    Exporting and Sharing My Design
    After inputting my measurements and preferences?‚???? I dove headfirst into the exciting world of layout experimentation. KitchenCraft Pro offered a plethora of options?‚???? from the classic galley style to the more spacious L-shape and U-shape designs. I started by exploring the galley layout?‚???? digitally dragging and dropping cabinets and appliances to visualize the workflow. I quickly realized it wouldn’t suit my needs ?‚???? the limited counter space was a major drawback. Next?‚???? I experimented with an L-shape configuration?‚???? strategically placing the sink?‚???? stove?‚???? and refrigerator to form an efficient work triangle. This felt more promising. I meticulously adjusted the placement of islands and peninsulas?‚???? carefully considering their impact on traffic flow and overall spaciousness. The software’s intuitive drag-and-drop functionality made this process remarkably easy and enjoyable. I even tried a daring U-shaped design?‚???? envisioning a grand?‚???? chef-like workspace. While initially appealing?‚???? I found it slightly cramped for my needs. The software allowed me to easily switch between different layouts?‚???? instantly visualizing the impact of each change. I spent hours tweaking the arrangement of cabinets?‚???? appliances?‚???? and workspaces?‚???? constantly evaluating the practicality and aesthetic appeal of each configuration; I played around with different cabinet depths and widths?‚???? experimenting with the placement of pantry units and maximizing storage space. I even considered adding a breakfast bar to one of the layouts?‚???? envisioning family gatherings around it. The ability to instantly see the results of my adjustments was invaluable?‚???? allowing me to make informed decisions based on both functionality and personal preference. It was a truly iterative process?‚???? refining and perfecting the design until I found the perfect balance between form and function. Through this experimentation?‚???? I discovered that the L-shape layout?‚???? with a cleverly positioned island?‚???? provided the optimal blend of efficiency and spaciousness for my kitchen.
    With my chosen design tool?‚???? KitchenCraft Pro?‚???? selected?‚???? the next step was inputting my kitchen’s precise measurements. This proved surprisingly straightforward. The software guided me through a step-by-step process?‚???? prompting me to enter the length and width of each wall?‚???? the location of windows and doors?‚???? and the dimensions of existing fixtures like sinks and ovens. I found the interface incredibly intuitive?‚???? with clear instructions and helpful visual aids. I even appreciated the option to upload a floor plan image to assist with the process. Initially?‚???? I struggled a bit with accurately measuring some awkwardly shaped alcoves?‚???? but the platform’s customer support chat was incredibly helpful?‚???? providing quick and efficient guidance. Once the dimensions were finalized?‚???? I began to personalize the design. This is where the fun really started! I selected my preferred cabinet styles?‚???? choosing from a comprehensive library of options ranging from sleek modern designs to more traditional?‚???? rustic styles. I meticulously chose the colors?‚???? finishes?‚???? and countertop materials?‚???? experimenting with different combinations to find the perfect aesthetic. I even incorporated my existing appliances?‚???? ensuring they fit seamlessly into the new layout. The software allowed for precise placement of every element?‚???? down to the smallest detail. I spent hours tweaking and refining?‚???? meticulously considering factors such as workflow efficiency and aesthetic harmony. The process felt like playing a sophisticated digital puzzle?‚???? and the satisfaction of seeing my vision slowly take shape on the screen was incredibly rewarding. I discovered that the software’s flexibility allowed me to explore different layouts and experiment with various design choices without any commitment?‚???? a feature I truly appreciated. It was a crucial step in ensuring my final design would be both functional and visually appealing.

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