





Sesame Street is unveiling a new character, and she’s a girly-girl. A fairy, actually. What’s really bothers me (and okay, there are a few things) is that her “pink skin” makes her pretty obviously a white girl, and who needs that?
For all the educational consultants and child psychologists the show could have enlisted, the success of the character seems to rely largely on the one simple quality no other Muppet can claim: she’s very, very pretty. As played by Leslie Carrara-Rudolph, a new Muppeteer, she’s enthusiastic, eager, occasionally bashful but never coy (and certainly never divalike along the lines of Tinker Bell).
…In the past the show has bent over backward to counteract stereotypes, with the tomboyish Zoe or the highly opinionated Elizabeth. “But political correctness hampers creativity,” Ms. Nealon said. “Abby Cadabby owns her own point of view, but she’s also comfortable with the fact that she likes wearing a dress, and as we’d tried to model strong female models, we neglected that piece of being a girl.”
Bitch in the NYT Magazine? Fucking awesome. Deborah Solomon applies her characteristic skepticism to Andi Zeisler. It’s a little annoying/condescending, but Andi holds her own.
DS: Did you and your co-founder, Lisa Jervis, have any magazine experience before you started Bitch?
AZ: We were both interns at Sassy.
DS: As opposed to Savvy.
AZ: Savvy was earlier, right? Maybe there will be a magazine someday for older women called Saggy.
Ashlee Simpson appeared on the July cover of Marie Claire magazine extolling the virtues of appreciating one’s body as it is — then she had a nose job.
Marie Claire readers erupted in fury at what they said was Ms. Simpson’s hypocrisy and the magazine’s “cluelessness.” They wrote 1,000 letters in protest to the magazine, according to Joanna Coles, the new editor of the magazine. And she agreed with them.
In the first issue (due Aug. 15) over which she exercises full editorial control, Ms. Coles gives expanded space in the letters column to readers to vent against Ms. Simpson. Ms. Coles adds in a note: “We’re dazed and confused — and disappointed — by her choice, too!”
I don’t think I’ve ever read Marie Claire, and it’s not like I’m going to start, but this is kinda cool. The first issue under this new editor also has a really hot photo of Maggie Gyllenhaal on the cover. Nice selling point, at least to me…
In New York, the court ruled in effect that irresponsible heterosexuals often have children by accident — we gay couples, in contrast, cannot get drunk and adopt in one night — so the state can reserve marriage rights for heterosexuals in order to coerce them into taking care of their offspring. Without the promise of gift registries and rehearsal dinners, it seems, many more newborns in New York would be found in trash cans.
…A perverse cruelty characterizes both [the New York and Washington state] decisions. The courts ruled, essentially, that making my child’s life less secure somehow makes the life of a child with straight parents more secure. Both courts found that making heterosexual couples stable requires keeping homosexual couples vulnerable. And the courts seemed to agree that heterosexuals can hardly be bothered to have children at all — or once they’ve had them, can hardly be bothered to care for them — unless marriage rights are reserved exclusively for heterosexuals. And the religious right accuses gays and lesbians of seeking “special rights.”
Yet as consumers young and old tire of being marketed to, the skull appears to offer a kind of antidote: the ultimate unbrand, one that belongs to no one. Curiously, then, what began as an outlaw anti-logo may as well be viewed as the death rattle of an underground aesthetic.
…or something.
The screenwriter Don Payne, a writer on “The Simpsons” here earning his first big-screen credit, may not have had [Glenn] Close, much less the Sonic Youth frontwoman Kim Gordon, in mind when he wrote this film. But he might as well have since, unwittingly or not, it perfectly expresses what Ms. Gordon once called the “fear of a female planet.” In “My Super Ex-Girlfriend,” G-Girl rockets around saving the day in skirts and high heels like some nitro-fueled Carrie Bradshaw, outshining her dweeb of a boyfriend at every turn. So of course he dumps her.
Okay, so a female superhero is only allowed in a movie if she a) it’s clear from the title that she is only important as she relates to a guy and b) only uses her powers to exact revenge on said guy. These are the lessons apparently learned from movies like Aeon Flux and Elektra, which no one saw not because a female superhero can’t carry a movie, but because they were bad movies. I’m so tired of this shit.
When Betsy moved back to Brooklyn last month – which, by the way, was one of the best things to happen ever – I went over to her new place and hung out while she unpacked. Randomly among her books was My So-Called Life Goes On, which is exactly what it sounds like: not a mere novelization of the TV show, but a “novel based on the characters from the award-winning television series!” (Not a mash up of My So-Called Life and Life Goes On… that might be worth reading.) I started reading it mostly by accident, and was about 80 pages in before I knew what was happening – though this says very little about its quality, there are about eight words on each line. So now I know what happened to Angela and Rayanne and Jordan et al. the summer after the show ended, at least according to the limp prose and lame imagination of one Catherine Clark. The answer? Not much, but what there is, is stupid. For example, Brian Krakow loses his virginity to Rayanne’s mom (yes, he really does), Ricki Vasquez is still in love with ambiguously gay boy Corey Helfrick (he of the rainbow-painted shoes, see episode #17), and, OMG, for about 5 minutes Sharon Cherski thinks she’s pregnant.
Inspired by this delicious badness, I started to write about punk rock YA novels (loosely defined) for last month’s Bookslut column, but various things got in the way and what I’d written was too craptastic to do anything with. I read a bunch of newer books for that column though, including Frank Portman’s King Dork and Rockstar Superstar by Blake Nelson.1 I was thinking about how so many of the books I really connect with are punk rock-ish coming of age stories, and how you might expect less traditional gender roles or breakdowns in these semi-subcultural settings. Oh well. Many of the books with boy protagonists are populated by blow job-happy teenage girls, while the boys are obsessive music nerds and care mostly about their bands. In books with girl protagonists, the girls are more likely to be angry and bad ass (see Rose of No Man’s Land and Manstealing for Fat Girls), the boys mostly sensitive and dorky (see Thumbsucker, the movie). Both are outcasts, but of different kinds. Maybe the girls have more to prove. And it seems like these books with boy protagonists are loved by kids and “adults” of both genders, but the stories that follow a girl’s high school travails are much less likely to be picked up by boys. I’m totally generalizing here, obviously…
I read Bluebirds Used to Croon in the Choir by Joe Meno (of the amazing Hairstyles of the Damned) a couple of weeks ago, and it was one of the best short story collections I’ve read. I have a copy of his upcoming book from Akashic, The Boy Detective Fails, which I’m trying to save for my vacation. But its hard – the title alone kills me. Right now I’m reading Adverbs by Daniel Handler, and it is beautiful, a book about Christian rock called Body Piercing Saved My Life by Andrew Beaujon and Bitchfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine. On the back burner are The Nimrod Flipout by Etgar Keret and Joan Didion’s The White Album. Next up are the anthologies This Is Not Chick Lit and A Fictional History of the United States With Huge Chunks Missing. Yes – this is what it looks like when I try to “reduce” the amount of books in my apartment. I did give my parents two boxes to stash in their attic so I’d have room on my shelves for incoming school books, but somehow others have already taken their place. It’s truly a sickness.
The Sassy magazine mix: Sebadoh “On Fire,” PJ Harvey “C’mon Billy,” Joan Jett “Bad Reputation,” Liz Phair “6′1″,” Buffalo Tom “Soda Jerk,” The Lemonheads “The Outdoor Type,” Teenage Fanclub “Your Love is the Place That I Come From,” American Music Club “American Music,” Matthew Sweet “Sick of Myself,” Juliana Hatfield “Choose Drugs,” The Breeders “Cannonball,” Cibo Matto “Beef Jerky,” Lucious Jackson “Angel,” REM “Try Not to Breathe,” Ben Lee “How to Survive a Broken Heart,” Portishead “It’s a Fire,” Daniel Johnston “Come See Me Tonight.”